LUCIE CASTALDO
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Sunshine & Flowers

9/9/2024

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What a fabulous workshop to share as I revitalize this blog! 

Led by Deb Hertzel, All Abilities Garden, in South Egremont, MA, is a community garden program for anyone who wants to learn how we heal the land, grow & harvest food, use flowers & plants for dyes, and work cooperatively in a neurodiverse community. 

The garden stood out as a lush and flourishing buffet of color from the second I parked my car. Coreposis and sunflowers stood high above the incredible vegetable crops. This is a perfect place for a cyanotype workshop. Cyanotypes are one of the earliest forms of photography. Anna Atkins (1799-1871), a botanist and photographer famously used cyanotypes to document botanical specimens. 


​We began in the garden shed - with the windows covered to block out the sun from our UV light sensitive solution. Each participant coated their own paper and did a great job being flexible as we squeezed out of the doors to not let light in while they dried!

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Participants went to the garden to gather leaves and flowers. There was such a variety to choose from! I challenged participants to choose items that had different leaves of translucency. They experimented with thin flower petals and thick leaves with holes chewed by caterpillars. 



​One of my favorite moments was using the cold frame cover (a recycled glass door) to hold down our prints while they exposed to the sun. 
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Participants rinsed their prints in the farm sink - and ohh-ed and ahh-ed as I poured hyrodgen peroxide into each waterbath, rapidly oxidizing their prints into the characteristic deep cyan blue. Stunning!
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We wrapped up the workshop by creating a collaborative cyanotype! 
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Beautiful weather and beautiful prints!


Huge thanks to Deb Hertzel for inviting me to join this incredible community. I can't wait to visit again!

Follow @all.abilities.garden on Instagram!
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Artful Anatomy

8/19/2016

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In my own work, I strive to use anatomy and architecture to define equality between living things; using the patterns that exist within us all to create work that, hopefully, humbles and unifies. Guiding a group of 11-14 year old artists in using these elements of anatomy to inspire design was a fun, fantastically inspiring end to my summer. In Artful Anatomy, at IS183 Art School, we explored the microscopic structures in our body; transposing the patterns and repetitive designs found in core elements like cells, muscle fibers or bones into art. As always, I brought in my collection of animal skills to inspire along with antique medical illustrations and anatomical models. 
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We looked at a variety of artists along the way......
The students and I created collaged self portraits inspired by Matthieu Bourel and Damien Poulin.
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We looked at NYC based illustrator, Kevin Hong's, anatomical Tibetan thangka inspired work which led my students to many questions! So, we wrote to him, and he graciously shared his inspiration and even a few preliminary sketches! 

Students illustrated their own medical drawings to "explain" a physical issue. The piece to the right illustrates that "lump in your throat" feeling.....

Looking at Art Nouveau wallpapers, students sketched stylized designs that we later used for our own linocut wallpaper patterns. The students were so creative with their use and abstraction of anatomical imagery. 
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"We really got into the heart of design (pun intended) when students used anatomy to advertise a product of their choosing. We looked at a number of advertisements that use the human body and even Lucy Foakes' amazingly witty "can-opic" jars. The students got a kick out of her designs of "metaphorical fizzy drinks for parched Pharaohs in the afterlife" and created humorous sculptures of their own products. 
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Installation, Inspiration

8/9/2015

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This summer of teaching camps at IS183 Art School has been extraordinarily relevant to my personal work. While teaching a site-specific installation themed camp, Installation, Inspiration, this past week, I have been wrapping up my own installation piece for my residency at Naumkeag, opening August 14th. 

Last week's artist campers were 11-14 years old and came to camp primarily with an enthusiasm for street art. Each day we discussed how art has the power to respond to, interact with, and completely change the identity of space, whether it is in a formal gallery, on the streets, or in nature. 

Armed with inspiration from some of the greats; Candy Chang, Roa, Banksy, Swoon, Blu, Mark Jenkins,  Morely, Andy Goldsworthy, etc etc, campers created their own tags, wheatpastes, posters, packing tape casts, land art, and murals, all leading up to an installation piece of their own inside or outside of the building. 

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We evaded poison ivy, mosquitos, and...bears....really,  for the sake of totally unique project - forest cellograffs. Students chose a location in the woods right off IS183's lawn and stretched cellophane between two trees, forming giant transparent walls which they painted with colorful mural designs. 
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The students' Morley inspired posters coupled self portraits with statements that they want to make to their audience. These ranged from "I'm so iconic" to "You could be who you want to be" to, simply, "I wish..."
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Such a treat to be able to share my passions with students and watch their minds take off. 
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What's Inside Us?

7/26/2015

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Paper-quilled cells, Dia de los Muertos masks, brain yarn paintings....IS183 Art School's 8-10s summer camp last week was filled with all things anatomical! This camp combines all of my interests: bones, skulls, organs, and art; I love being able to offer it to IS183 campers! ​

We started each class guessing what animal each skull from my collection came from. I brought in skulls from a cow, beaver, deer, bobcat, and river otter, along with many bones from deer and cows. Our first project was inspired by one of my favorite artists, Georgia O'Keeffe; animal bone landscapes! We had our own Dia de los Muertos celebration and made elaborate sugar skull masks and colorful papel picado banners. Later in the week we used our imaginary microscopes to examine the differences between plant and animal cells and created our own diptychs using the sophisticated paper-quilling technique. The students brought so much enthusiasm and creativity to each project resulting in an AWESOME art show!
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Paper Pulp Palooza

7/17/2015

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Did you combat soil erosion this summer? The 8-10 year old camp at IS183 Art School of the Berkshires did! In the Earth to Fire camp, taught by ceramicist Ben Evans, students sifted locally dug clay and created vessels to smoke fire. I had a great time popping in for three of the classes as the visiting paper artist! We talked about the importance of soil and the causes of soil erosion as an introduction to making our plantable seed paper. Students added paper from recycled IS183 catalogs and blended them to make a thick bluish pulp. We mixed in grass and wildflower seeds and each student strained their own pieces. 
During my next visit, each student mixed their own pulp and added colored tissue paper to make buckets full of what looked like bright fruit smoothies. We crowded around the picnic table to press the pulp around upside down bowls to create their very own paper vessels. I made my own example with a turkey vulture skull image inside. An awesome week!
Photos by IS183's Cecilia Hirsch. 

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A Bone Trekking Adventure

7/19/2014

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An evening hike through a cow graveyard is certainly a once in a lifetime opportunity. So I simply couldn’t pass up the invitation to visit Woven Roots Farm from the extremely generous Salinetti Family.

Guided by fifth grader, Diego, I ventured into the woods where cows have been put to rest for over 30 years.  Our first stop, however, was to investigate the porcupine remains that the family found earlier. To my surprise, there was a completely intact, and mostly clean, porcupine skull nestled right in the center of a pile of quills. 

We followed Diego further into the woods, battling mosquitos and hopping over mud puddles, until we arrived to our destination.

Imagine being a coyote, hungry and following the scent of something that smells like it could make a great dinner. Imagine, then, following that scent directly to a giant decaying cow. For a coyote, this is a buffet sent from the heavens. 

For us, thankfully, the cows we found had decayed long ago. Strewn all over the forest floor, in between roots and leaves, were shoulder blades, ribs, vertebrae, pelvic bones....and, a skull!

A dream come true! 

We gathered various bones (and of course the skull) and carried them out of the woods to my car. After a good cleaning I look forward to using these bones in the classroom and as reference for my own artwork. 


A huge thanks to the Salinetti family for inviting me on such a lovely adventure. The day ended with a golf cart ride through the Woven Roots Farm crops and a delicious cucumber; couldn't have been better!

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Thank You Notes!

11/1/2013

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A lovely package appeared on my office desk today filled with thank you notes from the Montessori students. But not just any thank you notes, notes filled with anatomy inspired artwork! Sketches of skeletons and fontanelles, and even a fiber sculpture of a bird skull. 
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A School Visit to Anatemno

10/28/2013

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    Students from the Montessori School of the Berkshires came on a series of visits to Anatemno: I cut up, cut open at 74 North Street, Pittsfield. As students filed in, grades K-5th, they immediately remarked, "THIS is the museum?!" They were shocked. Most had been to a museum or formal gallery before, but they noticed that the 74 North space was a little different. I'll admit, discussing the idea of site-specific installation art and alternative gallery spaces with elementary students was certainly foreign to me. These students, however, surprised me with their insightful comments and questions, ranging from, "I like how it looks like it is coming out of the hole in the ceiling" to "What came first, the artwork or the space?" to "This is the stuff that's inside us all!". 
    The students were specifically interested in anatomy and are studying body systems during their school day. We discussed some of the anatomical concepts behind my work and the body systems that they apply to. We looked at some of the animal skulls I use for inspiration; paying specific attention to skull sutures, those beautiful squiggles of bone where it has fused together in fiborous joints. 
    Topics that I thought may be too far-reaching for these young students, turned out to be right at their level. They were able to quickly find connections between what they were learning in school and the artwork on the walls, no matter how abstract some of it may be. 
   
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